From the fascination of mortal remains exudes morbid erotic dance of death,

Authors Bernard-Henri Lévy Mikhail Shishkin Peter Pomerantsev Robert Cooper Marta Frišová Serhiy entered Nils Minkmar Alexander SKOB Lysley A. Tenorio Sarah Stricker Radka Denemarková Michael Tyrala Andri Snær Magnason Zmicier Daškievič Claus Offe Péter Esterházy Nicolas Truong Edward Lucas Michael Ignatieff Iľja Milštejn Authors List
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People accepted death as a law of nature that applies to all, as something inevitably predestined, and attempt before it even run, or uplift it. Until the 12th century the death or the Last Judgment 767 cockpit does not perceive undividuálne. Good - that is baptized - rise from the dead and find themselves in paradise, while the evil will remain in tombs. During the Renaissance, the case is complicated, each to be assessed 767 cockpit on its own account of good and bad deeds. This is the beginning of an individual biography.
At the same moment the court moves, takes place at the moment of death, even before her, on his deathbed. On the 6th century 767 cockpit woodcut, representing the 'art of dying' (ars moriendi) lies dying in bed, surrounded by family and friends. Behind them is from one side of the Holy Trinity and the Divine 767 cockpit Mother and on the other side of Satan with their own kin. Currently he often triumphantly holding a book in which are entered all sins. God is not a judge or a lawyer before the arbitrator dying sinner ... seemingly indifferent watching this battle, even in him. If you regret your sins, save your soul, if you will extol his good skukty or will mourn for the property and delight 767 cockpit that just loses will be condemned.
At that time it was believed that dying was the moment of death in cinema watching his entire life and makes him the judgment. Individual CV acquires religious confirmation. Protestant theologians, however, 767 cockpit fought against the idea that just 'die well' to the man wiped his evil deeds. 767 cockpit
And what corpses? The art of 14th-16th century, proves Aries is the view of the dried or decaying 767 cockpit corpses enough zriedkyvý. It appears, however, in pictures dance of death, and in Germany and eastern France in the illustrated corpses, prehlodaných worms. In the 17th century skeletons appear on gravestones and also in the interior decoration of residential houses.
Morbid designs - skull and leg bones - become a symbol not only of decomposing corpses, but also dying elders. Memento mori, remember to death and rot is not just a state of post-mortem, but also intra vitam - for life. Decomposition of the body is no longer a symbol of death, but the inevitable dying.
"A similar carcass, I have only bone without emotion and without muscles, skin bey, no body ... My body is heading where everything breaks down" - wrote in the 16th century Ronsard. Death is not so determined, as the inevitable defeat of a man who is no longer alive "suspended corpse". Yet death does not cease to be a public act. In an idealized form precedes 767 cockpit farewell to the closest, species in arms, family. Dying alone directing it according to generally known ceremony.
In the 18th century doctors 767 cockpit complained about the number of people dying in the house. 767 cockpit In the 20th century passers when glimpsed funeral procession, still adding to it. I remember myself as a governess us in 1950 in Wrocław school as a five-year introduced into the apartment girlfriend, who had just died. It was our first corpse.
We used to death. He is still so in countries where there is no urban revolution. As early as the Renaissance 767 cockpit in a twist "all gonna die" began to replace reversal "I die". In medieval iconography of the Last Judgement knew only one book of life, which have been entered all the people who zmŕtvychstali the end of the world. From the Renaissance stood every man before the last tribunal, with its own booklets in hand - Registry of sin as proof of identity.
Individual death becomes more dramatic, but it still inspires fear. Testament documents the result of moral and dying work. A charity churches are fused to salvation in the hereafter. It guarantees a dignified 767 cockpit final resting place on earth, the temporary exchange of assets 767 cockpit for eternal value date and place of God in paradise at the feet of the angel during the concert. Gradually the grave Kamno emerging information on the age of the deceased and individualized sculpture, Sarmatian Poland again coffin portraits.
Philipp Aries recorded a big shock in cult dead in 1800. It happened under the influence of the Enlightenment, the French Revolution and the Napoleonic wars. In European art, the image is already dead body appears in medieval religious painting. Only during the Renaissance, however, he grew interested in anatomy, Leonardo himself 767 cockpit stealing 767 cockpit corpses hanged, 767 cockpit drawn, and a preparation of their exact elevations of the tendon.
From the fascination of mortal remains exudes morbid erotic dance of death,